Global Ganja Report

Dawn Paley is one courageous journalist. Her travels through Mexico, Colombia and Central America have brought her to the frontlines of "drug war" danger and militarization, producing first-hand reportage from communities terrorized by narco-gangs, paramilitaries and "official" security forces alike. In Drug War Capitalism (AK Press, Oakland, 2015) Paley portrays these forces as constituting a single nexus of terror, thoroughly integrated into the structures of the "legal" economy.

Dean Becker, a former reporter at non-commercial KPFT in Houston, has produced a worthwhile if deceptively named book in To End the War on Drugs: A Guide for Politicians, the Press and Public. Rather than the activist how-to manual promised in the subtitle, it is a series of interviews with leading lights in the drug policy reform movement. And rather than explaining how, they are mostly making the case as to why the "drug war" must end.

For those who have been wondering what the truth is behind the media sensationalism about global cartels establishing Africa as their new theater of operations, Africa and the War on Drugs  by Neil Carrier and Gernot Klantschnig (Zed Books, London, 2012) clears the air in a welcome way.

The authors, a pair of British academics, portray a strategy by the UN Office on Drugs and Crime (UNODC) to hype the threat and replicate the hardline policies pursued in Latin America and elsewhere on the African continent. Drug trafficking has definitely been growing in Africa in recent years—ironically, the authors argue, as a result of "successes" in Latin America. As the old cartels and their smuggling routes were broken up, new more fragmented networks have sought new routes and markets. This conveniently coincided with South Africa's reintegration to the world economy after the end of apartheid, and more generally with Africa's globalization.

Here's a little experiment to determine immediately if you will like the book Cannabis Chassidis: The Ancient and Emerging Torah of Drugs, now available from Brooklyn's anarchist-oriented Autonomedia. Author Yoseph Leib has determined that the three letters in the Hebrew word for "smoke," ashan (ayin, shin and nun), work out numerologically to... 420. Get it? Mazel tov, dude!

As nightmarish violence continues in Mexico, with horrific massacres and chaotic urban warfare right on the USA's southern border, a couple of academics at England’s University of Sheffield provide a readable 250-page primer on why this is happening now, and take a stab at what can be done to address the crisis—other than escalating it with militarization.

Three recent books each provide a prism on the matrix of the American counterculture in the 1960s underground press movement—with a particular focus on the germinal scene on New York's Lower East Side. Following the interlocking characters that passed through such institutions as the East Village Other bi-weekly and affiliated Underground Press Syndicate opens a window on a moment whose influence and significance have never received the recognition that the parallel scene across the continent in San Francisco's Haight-Ashbury won.

Reefer Movie Madness: The Ultimate Stoner Film Guide (Abrams Books, 2010) by Shirley Halperin and Steve Bloom actually lives up to the title's audacious claim. It’s chock full of cool information about over 700 great movies in which marijuana appears, is part of the plot, or is in usage. Or even just movies that its fun to watch while under the influence! It's got great photos from each of the films, that really cause the book to come alive. They also include films with LSD, cocaine, crystal meth, heroin, ecstasy, mushroom, pills and of course, the most popular drugs of all—alcohol and cigarettes.

For 25 years, journalist Peter Gorman has been traveling to Peru and experimenting with the jungle hallucinogen ayahuasca, a mind-bending brew prepared from vines, bark and leaves. Gorman picked the Peruvian side of the Amazon, the city of Iquitos, as the base for his studies that he writes about in Ayahuasca in My Blood.