Global Ganja Report

Tunisia, the first country to rise up and throw off its long dictatorship when revolution began to sweep the Arab world in 2011, is seen as the success story of the Arab Spring. With a new secular constitution, progressive forces have prevailed peacefully over an Islamist backlash. Rappers and feminist artists have become icons of the revolution. Now, Green Rush Daily reports that the Pirate Party of Tunisia has chosen to use the marijuana leaf as its identifying logo on the country’s ballot. It cites a write-up in Pirate Times, international organ of the movement, that "the Pirate Party of Tunisia has decided to participate in the next elections by highlighting the hemp symbol on its lists, which will attract the voters of those who support this cause."

Egyptian activist attorney Nasser Amin is challenging a law that calls for writers to be imprisoned for words that violate the country's "morals." The challenge comes in the trial of novelist Ahmed Naji, who could face two years in prison and a fine of nearly $1,300 for his work The Use of Life—because of its explicit sex scene and numerous references to hashish use. Amin argues that the law violates the Egyptian constitution, which only permits such punishment for published materials that are defamatory or encourage violence or discrimination.

There have been quite a few histories of cannabis culture and politics, but Bruce Barcott's Weed The People: The Future of Legal Marijuana in America is the first to examine the cannabis industry and its future prospects at a moment when it is taking flight. His opening overview of how we got to this point is engaging if not always strictly accurate (he loans too much credence to the '70s paraquat scare). He notes the litany of US government reports back to the 1920s exculpating cannabis of the calumnies against it—all ignored by the very government that commissioned them. He details the bureaucratic obstacles that have been raised to research on cannabis' medical benefits. And he relates the passing of the torch (or, more literally, the joint) from the jazz scene to the beatniks to the hippies to the mainstream.

The Barcelona-based magazine Cáñamo is the High Times of the Spanish-speaking world, published in Spain for 18 years, and with a Chilean edition for 10 years. But when it launched its first Mexican edition in May, authorities freaked out. The inaugural issue featured a cover story entitled "Pachequeando con Tito de Molotov"—or, "Getting High with Tito of Molotov"—in which Ismael "Tito" Fuentes de Garay, guitarist with the Mexican rap-metal outflit Molotov discusses the pleasures of the herb. This came to the attention of the Quality Commission on Publications and Illustrated Magazines, an agency of Mexico's Secretariat of Governance, which issued a finding that the publication is contrary to the "morals" and "good customs" of the nation. This determination was forwarded to the Prosecutor General of the Republic (PGR) and the Secretariat of Health's Federal Commission for the Prevention of Health Risks (COFEPRIS)—with the recommendation that the magazine be officially declrared "illicit."

We noted last year that a Seattle-based equity firm is planning to market "Marley Natural" brand cannabis in states where it is legal. Now it seems guitar god Jimi Hendrix is to be thusly immortalized. The San Diego Union-Tribune reports that Toronto-based Nutritional High International Inc announced this week that it has "entered into an exclusive licensing agreement...under which the Company may manufacture and distribute various marijuana and hemp-based edible products using the song titles and bearing the likeness of iconic guitarist Jimi Hendrix." The products in question, to be marketed under the "Edible Experiences" banner, include "Purple Haze" and "Stone Free" lines. (There's already a Purple Haze cannabis strain developed by Dutch growers, although the song was more likely about the LSD experience.) In a cute twist, the "Stone Free" line is to be a preparation infused with CBD—the cannabinoid that is thought to have medicinal value but doesn't actually get you stoned.

Judith Malina, co-founder of the legendary Living Theatre, a ground-breaking and activist-oriented troupe that helped pioneer the countercultural explosion of the 1960s and still challenges audiences today, died April 10 at the Lillian Booth Actors Home in Englewood, NJ. She was 88 and still actively involved in the Living Theatre. This remembrance is offered by Baba Israel, a New York-based hip-hop artist and cultural worker whose parents were core members of the Living Theatre. —Global Ganja Report

Activists in Spain staged a creative protest against the country's new "Citizen Safety Law" on April 10—projecting holograms of themselves that marched on the parliament building in Madrid. This was making the point that under the law, actual flesh-and-blood marches on government buildings would be banned—along with filming the police, failing to obey police orders, burning the national flag, or holding any protest without a permit.

Indonesia, facing global criticism over a spate of executions of foreigners on drug charges, is now under pressure from the grindcore lobby. The Independent reported Feb. 3 that Napalm Death frontman Barney Greenway is personally petitioning President Joko Widodo for clemency—taking advantage of the fact that His Excellency Widodo is an avid fan. (The Independent amusingly shows him wearing a Napalm Death T-shit.) Last month, Greenway appealed in the case of two Australian members of the "Bali Nine," Andrew Chan and Myuran Sukumaran, facing execution on a heroin trafficking charge. Chan and Sukumaran are apparently also metal fans, and Greenway is reaching out to Widodo in a spirit of headbanger solidarity. Now, the English rocker has released an open letter to Widodo urging clemency for Lindsay Sandiford, a 57-year-old British grandmother who faces the firing squad in Bali on a coke-smuggling charge. Adopting considerably more dulcet tones than he uses onstage, Greeway writes: