Global Ganja Report

April 20 has become a national day of celebration for the hedonistic cannabis subculture, but it has also long been marked by the radical right and Nazi-nostalgists around the world for unsavory reasons. It now emerges that Trump's Inauguration Day executive order declaring a state of emergency on the southern border also set a deadline of April 20 for a joint Pentagon-Homeland Security recommendation on whether to invoke the Insurrection Act. This has sparked much speculation that Trump will immediately do so, declaring martial law and consolidating a dictatorship... this weekend. How likely is this, and is the date a mere coincidence? In Episode 274 of the CounterVortex podcast, Bill Weinberg breaks it down. 

In Episode 233 of the CounterVortex podcast, Bill Weinberg recalls his days as a young neo-Yippie in the 1980s. A remnant faction of the 1960s counterculture group adopted a punk aesthetic for the Reagan era, launched the US branch of the Rock Against Racism movement, brought chaos to the streets at Republican and Democratic political conventions, defied the police in open cannabis "smoke-ins"—and won a landmark Supreme Court ruling for free speech. The Yippie clubhouse at 9 Bleecker Street, the hub for all these activities, has long since succumbed to the gentrification of the East Village, but it survived long enough to provide inspiration to a new generation of radical youth during Occupy Wall Street. Listen on SoundCloud or via Patreon.

In the ultimate imprimatur of mainstream acceptance, the 10th annual Cannabis World Congress & Business Expo was held June 5-6 in Manhattan’s Javits Convention Center, the Big Apple’s premier venue for trade shows and industry confabs. And the event had the open participation of New York city and state government agencies, as well as capitalist enterprises from around the country and the planet.

John Sinclair—poet, activist and leading figure in America's radical youth movement of the 1960s—died in a Detroit hospital April 2 at the age of 82. He was famous as manager and central personality behind the Motor City proto-punk band MC5, and a founder of the White Panther Party—a militant anti-racist group seen as a white working-class counterpart to the Black Panthers. His conviction and draconian sentence for a small-scale cannabis charge in 1969 made him a national and even global icon, immortalized in an eponymous John Lennon song. The legal battle and campaign to free him ultimately resulted in the overturn of the absurdly harsh marijuana law in his native Michigan.

David Crosby, a giant of California's 1960s folk-rock scene and leading light of the Woodstock generation, died Jan. 19 at the age of 81. To the end, he was an unapologetic advocate of cannabis legalization, serving as a member of the advisory board of the National Organization for the Reform of Marijuana Laws (NORML).

Michael Butler, the Tony-winning producer who financed the 1968 Broadway sensation Hair: The American Tribal Love-Rock Musical, a key moment in the mainstreaming of the '60s counterculture, passed away Nov. 7 in Los Angeles at the age of 95.

New York’s East Village this summer witnesses the world premiere of a multimedia extravaganza centered on the cultural politics of our favorite herb.

Five years in the making and twice postponed by COVID lockdowns, a theatrical concert dedicated to celebrating cannabis, and raising consciousness around the pant, has opened in New York.

Cannabis! A Viper Vaudeville uses music and projected images as well as dialogue to trace the journey of cannabis from the herblore of ancient India and China through bohemia, prohibition, counterculture and finally legalization.

Peter Lamborn Wilson, celebrated "underground intellectual" and a pivotal figure in the revival of American anarchism over the past 40 years, died May 23 at his home in Saugerties, NY, reportedly from a heart attack. A controversial as well as inspirational figure, Wilson was the author of several cult classics, ranging from ecstatic rants to anti-authoritarian interpretations of history and what he called "drop-out culture."